The
following are objects that are found in our territorial print shop that would be used to
produce material by the letterpress printing process, and a look into how they work.
Leads
Lead cutter and cutting: This device
and operation is for the cutting of leads to exact lengths. Many of the new cutter came
with measurements of "pica" cast onto the unit, older models, like this one,
does not, and so the "pica pole" or "printer's ruler" has to be
utilized, the slide locked into place, lead inserted, then cut. Leads can be used over and over again, but when
new leads are sold in long strips, the printer can cut as many different lengths that are
needed, and then stored in lead rack with similar lengths, usually running between 4 and
25 pica.
Points, is the fine measurement of
size for type, utilized extensively in the late 1800s, replacing a system that used names,
like nonpareil, long primer, primer, cannon. Nonpareil
for example became 6 points. 6 points equals
1/2 pica, 1 pica is 12 points. There are 72
pica on a12-inch ruler.
Leads are used to divide the lines
of type; they provide a space large enough to create ease of reading, although not
necessary for all styles of type. They come
in several thick nesses, from 2-point and4 point, then 6 point, which are called slugs.
Chase
A chase is a frame like device, made
usually of iron or steel, this is the object that contains the type that has been set up,
and enables the printer to control the moving of the type while it is locked into it.
Quoins are devices used to do this, they come in many variations, and all use expansion to
create pressure against the form, usually operated by a T handled key.
Composing Stick
The composing stick is an important
tool used in the initial setting of type, the printer will stand at the type case and pick
type, placing it in the composing stick, building the words from right to left, so that it
reads in reverse. Type is molded in reverse,
so the printer can still spell in the correct order.
Learning to read backwards is part of the printer's skill. When the
composing stick is full, it is carried to the galley tray, where it is assembled into
columns. From the galley tray, it is carried
to the imposing stone for completion and locked into a form, or directly to the flatbed of
a press, such as a Washington Press.
Type Case
The type case is used to store the
type, in order. Made of wood, divided into
sections to hold a complete font of type, including numbers, punctuation, and spacing. The modern California Job Case (post 1850) holds
the capital letters in alphabetical order at the right, on the left and middle it holds
the lower case letters in an order that predicts the amount of use, such as the vowels are
kept in largercompartments, as they are used the most, and the font contains more of them.
The printer will memorize the layout of the case and increase in speed and accuracy as he
learns the trade. Pre 1850 type cases and
book font cases where usually laid out in square compartments, two case per font, one
above the other, the upper containing capitals, the lower containing the small letters,
hence the term upper and lower case letters. Cases
are kept in a cabinet that held usually 10 to 24 cases. Often the cabinets held a bank, a
sloping wood plane that set on top where the printer could set the case and fill his
composing stick.
Planer and Mallet
The planer and
mallet are used on the surface of the type. The
planer being struck by the mallet is for the purpose of proofing the form. The type would first be inked, paper carefully
laid down on the surface, then the planer over that and struck, giving a fairly good
regional image on the paper, to
show mistakes and appearance to the printer. The planer must have a smooth and even
surface on its bottom, the top is usually covered with leather to protect the wood from
the mallet. The mallet can be any sort of shape or size of wood hammer. A planer can also be used to place over the
type before final lock-up to be sure the type is setting even at the correct heightand on
its feet.
The press
This flatbed printing press is
called a Washington Hand Press and is typical of those used in the western expansion
period. It is the next generation of hand
presses used after the Revolutionary War period, those being made of wood. This is an iron
machine being developed in the 1830s and an improvement over the wood types, not
susceptible to breakage and warping, and is easier to use with its toggle and lever
operation, rather than a screw design to force the plating down. This press is made by the
R. Hoe Co. in New York City in 1868, had found its way to Sacramento, and in the 1870s had
printed the paper there with another press of the next serial number; it resides in Utah
today. The press weighs 2,150 lbs. It is the
Imperial #5; it came with a one-year warranty. Samuel Rust is credited with introducing
the Washington Press in the US in 1829, naming it in honor of George Washington.
The platen press was invented by George P. Gordon in the 1850s, creating a self
inking press that operated fairly quickly, still hand fed however, it did speed up the
printing process for smaller items like handbills, business cards, invitations, etc. In a
print shop, it complements the Washington Press, while newspapers were the main business,
the profit margin was fairly low as compared with the platen job press where a standard
set fee was often set and paid for in advance by the customer, thereby generating an
income to keep the shop open on a daily basis. Newspapers paid poorly, as one paper was
sold, many people could read it thereafter. Most
income came from advertisements that were too often given on credit. The small Kelsey
press on the desk was made for amateur printers, sold by the thousands by catalog
companies like Sears, Roebuck & Co. and Montgomery Ward & Co. from the 1870s
through the turn of the century. These small
tabletop presses were used in the home, or the shop, to print small items like business
cards, invitations, and other small personal items. Sometimes
young entrepreneurs used them to make spending money.
This press was made in 1893 and is of all iron construction.
Paper
Paper used in this time period was
in a transitional period of manufacture. Until the late 1860s paper was made from rags,
usually linen, then cotton as time went on. Rag
paper is low in acid content with strong fibers, the paper held up well. When wood pulp paper became popular, it became
cheap and plentiful, however, it contains a high amount of acidity, due to the
manufacturing process with the use of acidic resins and does not survive well over time.
It has been seen that often papers from the Civil War is in better condition than
those of World War Two, given equal treatment. Paper
was manufactured in paper mills, from Colonial times forward, printers purchased paper
from these mill, and often collected the rags for the mills as an addition to their daily
business. They were ever mindful of ordering
their supplies far in advance, as conditions on the frontier rendered all deliveries
uncertain. It has been written that printers
sometimes printed on wallpaper, scrap paper and even on flour sacks to get out their
weekly "rag". Papers were damped before
printing to make them more porous and spongy; this gave a better impression and was easier
to work the press due to pressure restrictions. This
was usually done with the older presses that utilized a screw instead of the toggle and
lever action. The toggle and lever reduced the force necessary to pull the handle over and
drop the platen, verses the old screw assembly.
Clean-up
The apprentice did this at the end
of day. In early times, lye was used for a
cleaning solution, usually made from wood ashes that are very acidic, cooked and mixed
with tallow to make soap. This worked well
for washing cloths, bodies, and in the print shop, type and rollers. In our territorial period kerosene was used as a
cleaner, rags and brushes were used for this purpose, also benzene; and special containers
were made of brass to hold the fluid and keep the shop safe. Fires sometimes started from the improper storage
of cleaning fluids, oily rags can burst into flames from spontaneous combustion if piled
together in some corner with no air circulation.
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Form with chase, type, lead and furniture.
Furniture
Wood blocks usually of ash or a
tight grain hardwood cut to sizes of printer's measurement of pica, and various widths.
Used extensively to fill in the blank spaces that are not being used with type. This aids in the process of locking up the form
so that all pressure is even throughout the completed form within the chase, and can be
moved without fear of spilling the type. Spilled
type is called "pied" type. Often
there is a box of "pi" somewhere in the shop that needs to be sorted, usually by
the devil. The "devil" is the
printer's helper. Broken type and leads are usually thrown into a box and called the
"hell" matter.

Nonpariel platen press,
about 1866.
Imposing Stone
A marble stone with a smooth flat
surface, used to hold type forms flat and straight while being prepared for the press. Often the stones were set into tops of tables that
contained drawers to hold tools. Tables were
often six feet in length. This shop uses
small stones because of space limitations and portability.
The Galley
Galley trays were indispensable in
the shops. They are made to hold type forms that are saved, or often used, to save the
printer time in resetting the type after each use. Type
forms are held together using common string. Galley
cabinets were made to hold the trays at an angle, to insure the forms would not fall out.
(Galley cabinet not in shop). Galley trays were usually made of brass and metal, early
ones of wood.

Type case and equipment.
Ink Rollers
A roller with a handle made of
rubber compounds, soft and pliable for letterpress printing. Early ink rollers were made
of rubber, molasses and resins to achieve this effect. They were fairly fragile items and
where often destroyed by vermin and hot weather. Before
the use of rollers (brayers) about 1830, ink balls did the job of inking the form. Ink balls were a sheepskin leather ball attached
to a hardwood handle. The leather was filled
with wool. Used one in each hand the ink was applied, the two rubbed together, then padded
onto the type, the challenge was in keeping the leather in soft condition in between use,
this was a foul process involving the use of urine in a bucket kept out the back door, the
job was always given to the young printer's devil.
Inks
In this print shop, the use of rubber-based ink is used, often
used in the late 19th century; it gives a good application for its inherent tackiness and
sticks well to metallic type. This ink is
still available, and what is used here is made in Holland, though fairly expensive, a
five-pound can will last this shop well over a year.
Oil base inks can also be used, and seem to work well with smaller jobs such
as business cards and small items. In the
American colonial times, printers often made their own inks using lamp black (soot) and
linseed oil, and maybe a little varnish if it can be found.
Lampblack was made in chimneys with smoky fires just for the purpose of ink,
Ben Franklin used to own a lamp black business and sold it by the barrel to printers. Ben Franklin made a large amount of money not by
printing so much but as a supplier to the trade. The
linseed oil part of the ink came
from the flax plant, then the most prevalent textile plant and cheaper than cotton, the
oil was extracted from the seed. Later,
printers bought most all of their supplies, industries developed just for this purpose,
and this is true in our territorial period. Supplies
were ordered months in advance of expected stock depletion, and this often did not help. Ink would freeze in winter, and dry up in summer
if not well cared for.

Rob Bates printing on the Washington
press, 1868.

Platen press set up to print,
made between 1893 and 1903.
Copy Press
Was used primarily in business
offices to make copies of letters. The press
is of a simple construction, made of iron, with a wheel and a screw to create downward
pressure. The user after writing a letter,
using the dip type pen, and a special writing/copy ink, would place a thin sheet of paper
over the letter, then a damp cloth over that, insert it in book, then press it in the
press. The thin sheet of paper becomes the
copy, drawing the ink from the letter, however the image is in reverse, and the copy was
held up to the light and looked through in order to read it. This copy was then saved, and the original sent
off. There were also copybooks manufactured for this purpose, so that the thin sheets were
bound together to make storage easier. Copybooks
are very rarely seen today because they are so fragile.
The Product
The final result is a weekly paper
that carried the news of the day, as timely as possible. Frontier papers obtained their
information by subscribing to other papers coming from the larger cities, mostly from the
east, and neighboring papers. These were
carried through the mails, and the Post Office. Often the Post Office was with the Paper
office, or nearby. Deliveries were erratic
and affected the timeliness of the news. Also,
when the telegraph finally reached town, it became a news source, paid for by
subscription, and developed the business of the "wire service". There was also a paper called "make
ready", where a large newspaper in a big city would publish the front pages of
national and international new, then sent out to the small towns so they could fill in the
blank back pages with their local news.' Small town papers would always publish the
national and international news is the priority, leaving the town new last, as most people
already knew what was going on around town. The
papers were delivered once a week, usually by the printer's devil, or picked up at the
office.
Advertisements were the mainstay for
the paper's income, followed by subscription. These
often went unpaid, or payment made in food or livestock, or items to be resold by the
printer. Papers generally cost from about 2
to 3 cents, a tidy sum for the times, however reading material was always at a premium on
the frontier.
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